Showing posts with label //the book life. Show all posts
Showing posts with label //the book life. Show all posts

Thursday, October 18, 2012

Thisbe

("Stormy Landscape with Pyramus and Thisbe" by Nicolas Poussin, via)

She drew back shuddering,
...like the sea
that is ruffled when a slight breeze skims across its surface.
But after a pause when she had recognized her love,
she struck her blameless arms with a loud blow,
tore at her hair, embraced the body that she loved,
filled his wounds with tears and mixed her weeping
with his blood.

(from "Pyramus and Thisbe"  
in Ovid's Metamorphoses
trans. D.E. Hill)

[Addendum: You know you're doing what you love when, four hours ago, you told yourself you could stop working at 8pm, but now it's 8:30 and you have no intention of stopping.
Thesis. Library. Books. Latin. Love. Love. Love.]

Saturday, October 13, 2012

For the Love of Literature (no. 2)

Some days, when I quiet my anxieties long enough to get myself to the library, I remember why I got into this gig in the first place. I'm buried in Latin dictionaries and seven different translations of Ovid, and all I want to do is sit here for the rest of the day (let the football game and the rain and the hoards of Saturday students not studying march on!) and think about the words and about what they mean and about why that makes any bit of difference in this big wide world.

It's silly, but in moments like this, sometimes I could cry I'm so happy that words and books and stories exist.

Silly, right? I know.

But kinda lovely too.

Thursday, September 6, 2012

what Henry says

"We must learn to reawaken and keep ourselves awake, not by mechanical aids, but by an infinite expectation of the dawn, which does not forsake us in our soundest sleep. I know of no more encouraging fact than the unquestionable ability of man to elevate his life by a conscious endeavor. It is something to be able to paint a particular picture, or to carve a statue, and so to make a few objects beautiful; but it is far more glorious to carve and paint the very atmosphere and medium through which we look, which morally we can do. To affect the quality of the day, that is the highest of arts."

--Henry David Thoreau, "What I Lived For," Walden

Tuesday, May 29, 2012

memorial day


I wanted to share something beautiful on Memorial Day. I am grateful for those who are courageous, for those too young to have a family before they left this world, for those who stood for integrity, for bravery, for a right and a good and a God, and for those who still stand for those things today. I wonder quite often if I would be courageous enough to leave home and love and comfort to defend the idea of freedom I've been raised under, the idea of freedom I don't fully understand and undoubtedly take for granted too often. I hope I would be courageous.

Below is a letter from Sullivan Ballou, a Major in the Civil War, to his wife.  These are some of the most beautiful words written in American literature.  Enjoy, be grateful, have courage, and hold fast to things bigger than yourself.

July the 14th, 1861
Washington DC

My very dear Sarah:

The indications are very strong that we shall move in a few days - perhaps tomorrow. Lest I should not be able to write you again, I feel impelled to write lines that may fall under your eye when I shall be no more.

Our movement may be one of a few days duration and full of pleasure - and it may be one of severe conflict and death to me. Not my will, but thine 0 God, be done. If it is necessary that I should fall on the battlefield for my country, I am ready. I have no misgivings about, or lack of confidence in, the cause in which I am engaged, and my courage does not halt or falter. I know how strongly American Civilization now leans upon the triumph of the Government, and how great a debt we owe to those who went before us through the blood and suffering of the Revolution. And I am willing - perfectly willing - to lay down all my joys in this life, to help maintain this Government, and to pay that debt.

But, my dear wife, when I know that with my own joys I lay down nearly all of yours, and replace them in this life with cares and sorrows - when, after having eaten for long years the bitter fruit of orphanage myself, I must offer it as their only sustenance to my dear little children - is it weak or dishonorable, while the banner of my purpose floats calmly and proudly in the breeze, that my unbounded love for you, my darling wife and children, should struggle in fierce, though useless, contest with my love of country?

I cannot describe to you my feelings on this calm summer night, when two thousand men are sleeping around me, many of them enjoying the last, perhaps, before that of death -- and I, suspicious that Death is creeping behind me with his fatal dart, am communing with God, my country, and thee.

I have sought most closely and diligently, and often in my breast, for a wrong motive in thus hazarding the happiness of those I loved and I could not find one. A pure love of my country and of the principles have often advocated before the people and "the name of honor that I love more than I fear death" have called upon me, and I have obeyed.

Sarah, my love for you is deathless, it seems to bind me to you with mighty cables that nothing but Omnipotence could break; and yet my love of Country comes over me like a strong wind and bears me irresistibly on with all these chains to the battlefield.

The memories of the blissful moments I have spent with you come creeping over me, and I feel most gratified to God and to you that I have enjoyed them so long. And hard it is for me to give them up and burn to ashes the hopes of future years, when God willing, we might still have lived and loved together and seen our sons grow up to honorable manhood around us. I have, I know, but few and small claims upon Divine Providence, but something whispers to me - perhaps it is the wafted prayer of my little Edgar -- that I shall return to my loved ones unharmed. If I do not, my dear Sarah, never forget how much I love you, and when my last breath escapes me on the battlefield, it will whisper your name.

Forgive my many faults, and the many pains I have caused you. How thoughtless and foolish I have oftentimes been! How gladly would I wash out with my tears every little spot upon your happiness, and struggle with all the misfortune of this world, to shield you and my children from harm. But I cannot. I must watch you from the spirit land and hover near you, while you buffet the storms with your precious little freight, and wait with sad patience till we meet to part no more.

But, O Sarah! If the dead can come back to this earth and flit unseen around those they loved, I shall always be near you; in the garish day and in the darkest night -- amidst your happiest scenes and gloomiest hours - always, always; and if there be a soft breeze upon your cheek, it shall be my breath; or the cool air fans your throbbing temple, it shall be my spirit passing by.

Sarah, do not mourn me dead; think I am gone and wait for thee, for we shall meet again.

As for my little boys, they will grow as I have done, and never know a father's love and care. Little Willie is too young to remember me long, and my blue eyed Edgar will keep my frolics with him among the dimmest memories of his childhood. Sarah, I have unlimited confidence in your maternal care and your development of their characters. Tell my two mothers his and hers I call God's blessing upon them. O Sarah, I wait for you there! Come to me, and lead thither my children.

Sullivan

Wednesday, April 4, 2012

for the love of literature

You know those days when you get the mean reds?

-The mean reds, you mean like the blues? 

No. The blues are because you're getting fat and maybe it's been raining too long, you're just sad that's all. The mean reds are horrible. Suddenly you're afraid and you don't know what you're afraid of. Do you ever get that feeling?

-Sure.

Well, when I get it the only thing that does any good is to jump in a cab and go to Tiffany's. Calms me down right away. The quietness and the proud look of it; nothing very bad could happen to you there. If I could find a real-life place that'd make me feel like Tiffany's, then I'd buy some furniture and give the cat a name!

Today was a bad case of the mean reds. One of those hide-under-the-covers mornings, one of those day-after-the-day-which-collapsed-in-on-itself days.  So guess what I did.  I got up and taught a bunch of kids how to make a website.  Then I went to my office, where Sam was also mean-red-ing it.  As was Becca.  Man.  What a day.  So we watched videos about charming pastry shops and looked at Mondrian-esque cakes, and threw paperclips at our colleague Drew.  (All normal mean-red-day activities.)  Then I taught more kids about websites.  Then I said, "Peace, yo, I'm done" and went home and ate the hugest salad and bowl of spaghetti (homemade, thank goodness) you've ever seen.  I also ate a few cookies.  (Listen, in terms of curing the mean reds, I have no pastry shop nearby and no Tiffany's either, so spaghetti was the chosen alternative.  Don't judge.)

Then I went to the local library to "write my thesis."  I instead took quizzes over stress levels and heart rates, and subsequently learned (by experience) that taking quizzes over stress levels only raises heartrates.  Thank you WebMD for always diagnosing me as "high risk" for ebola/cardiac arrest/dengue/meningitis/every-other-disease-I-use-you-to-diagnose.

And then tonight happened, in which I went to the English Department Awards Banquet.  Oh boy.  Nothing like a tsunami of nostalgia to cure the mean reds and leave your heart bubbling over with joy.  (Although a word of caution: nostalgia is a drippy kind of joy. It tends to effulge and ooze and otherwise occasionally leave you crying about days long gone. Kinda like how you feel when you finish watching all the Lord of the Rings movies.)
A word on this Awards Banquet: it happens every year--everyone looks all fancy, we have fancy meal (yes I want more rolls and pats of butter please!), then there’s an impossibly inspirational address given by one of our professors.  The whole thing disgusts me it’s so beautiful.  And the sun is setting in the windows behind the harp player, and I’m sitting at a table with my MA friends, and around me are Phil and Delys who were the professors I went to London with; Rick whose mind and goodness and words I admire so deeply--Rick who first taught me to love Shakespeare, who first showed me the magic of those plays; Brett and Brian who have coached me through this whole graduate instructor “thing,” and oh so many others. And they’re all smiling on and giving me encouraging nods.  In short, it’s an evening to be surrounded by people you’ve grown to love and admire and depend on, and it’s a sad whisper that “this too shall pass” and you’ll soon be SHOVED out of the BYU-tiful nest into the dark and lonely world!  
That Banquet is the saddest, most beautiful night of the year.  It makes me want to be forever a student of literature, to learn to write and think like those professors who give such beautiful addresses, talking about how literature expands your mind, quoting Thoreau and Shakespeare and Wordsworth.  It makes me realize, for that one brief moment, that my study of literature has never been about finding a career or about making myself "marketable."  It has only been about love.  
It is about leaving an evening class in the deep blue sky of sunset with the lights golden all over campus, and walking home with the remnants of a discussion of Shakespeare, or Donne, or Hemingway still lingering in my thoughts.  It is about organizing reading groups, book clubs, culture nights, to read C.S. Lewis together and talk about it in the living room.  The “skill set” was never why I got into this racket (although for those of you who are currently English majors struggling to justify your studies, hear this: the skills I have developed as an English major have been surprisingly marketable! So don't despair. Keep reading, keep writing.).  I didn't get into The Study of Literature for any of those reasons. It was only for the joy of books upon books, of pages undiscovered and unexplored in library shelves I run my fingers across as I look for “PR 2839 .A2 P58x 2010.  It was only for the exuberance of writing a perfect conclusion, of having my mind BLOWN in British Lit 201, or Modernity, or Shakespeare and Film.  I study English for the dream I have of someday knowing all great stories ever told, and all great words ever written.
And this is why the Awards Banquet is the saddest, most beautiful night of the year: because it dredges up from my heart all the reasons I love being a student, all the reasons I love BYU, and worst of all, all the reasons I decided to study literature in the first place.  Graduating would be so much easier if they forced you to end in mid-March, when it’s cold outside and you’re in the middle of plucking your head bald for all the term papers you’re writing/grading.  But nooooo, they wait until the trees have blossomed, until the warm weather returns, bringing with it all the fondness of your years here.  And suddenly you remember all the beautiful reasons you are, in fact, MADLY IN LOVE WITH WHAT YOU'RE STUDYING.  Which tangentially is also the reason why graduating suddenly seems absolutely horrible.

Inevitably, as I walk from the Hinckley Center to the library to “work on my thesis,” the wind is blowing warm and bright, like the first nights in Heritage and the outdoor freshman dances, like the nightgames the summer of ‘08, like every memory with Brooke, like walking out of the HFAC after seeing some lovely play or performance that left me bubbling over with satisfaction, like the day Michael and I escaped studying to fly kites, like the walk home after evening classes, profoundly grateful for this thing we call “learning,” for professors with brilliant minds who believe in the beauty of art more than they believe in "marketability." Like every evening that that walk home has left me humming and dreaming and smiling.  And again and again, I am brought to the end of this book, or at least this chapter, in "the life of Carolyn." But they are pages I want to reread again and again.  They are pages I tear out and write all over and fold up and shove in my pocket. These pages are lovely pages to me.

Monday, September 26, 2011

a book a day...

a brief history of my weekend's literary mailbox delights:

friday: grace notes by brian doyle
saturday: TIME
monday: cabin fever by tom montgomery fate

and there is something so pregnant-with-promise in knowing i have three more books (and a lifetime of TIME magazines) on the way.

ah, the sweet joy of being an english major.  litera(ri)ly the best weekend ever.